by Austin Kleon
You don’t need to be a genius, you just need to be yourself. That’s the message from Austin Kleon, a young writer and artist who knows that creativity is everywhere, creativity is for everyone. A manifesto for the digital age, Steal Like an Artist is a guide whose positive message, graphic look and illustrations, exercises, and examples will put readers directly in touch with their artistic side. When Mr. Kleon was asked to address college students in upstate New York, he shaped his speech around the ten things he wished someone had told him when he was starting out. The talk went viral, and its author dug deeper into his own ideas to create Steal Like an Artist, the book. The result is inspiring, hip, original, practical, and entertaining. And filled with new truths about creativity: Nothing is original, so embrace influence, collect ideas, and remix and re-imagine to discover your own path. Follow your interests wherever they take you. Stay smart, stay out of debt, and risk being boring—the creative you will need to make room to be wild and daring in your imagination.
Books with similar themes and ideas
Books that connect different domains
Bridges summary
The spirit of "Steal Like an Artist" by Austin Kleon, a vibrant manifesto for the digitally-native creator, finds intriguing resonance when juxtaposed with the singular, gravity-defying achievement chronicled in Philippe Petit's "Man on Wire." While Kleon’s work is a broad exhortation to embrace influence, remix ideas, and cultivate a personal creative practice, Petit’s memoir offers a deeply personal, meticulously executed testament to the power of a singular vision, bordering on obsession. The bridge between these seemingly disparate works lies in their shared exploration of audacious ambition and the courage required to manifest even the most improbable dreams. Kleon champions the idea that no creation exists in a vacuum, urging readers to "embrace influence" and actively collect, rather than passively consume, the creative output of others. This principle is strikingly mirrored in Petit's own journey; his high-wire walk between the Twin Towers wasn't conceived from scratch but was a culmination of years of observation, clandestine planning, and drawing inspiration from daredevils and artists before him. He didn't *invent* the idea of walking a tightrope, but he certainly redefined its artistic and experiential boundaries, much in the way Kleon encourages artists to remix existing elements into something new.
Discover hidden gems with our 'Gap Finder' and explore your reading tastes with the 'Mood Galaxy'. Go beyond simple lists.
Thomas M. Sterner
The tension, and indeed another crucial bridge, arises from the scale and nature of their respective endeavors. Kleon's advice is grounded and accessible, aiming to unlock the creative potential within everyone, advocating for practical steps like following interests and staying out of debt to allow for creative freedom. He champions a de-mystified approach to artistry, where "creativity is for everyone." Petit's narrative, however, is an almost mythical account of a singular, monumental act, an undertaking that demanded years of intense focus, extreme risk, and a level of personal sacrifice that transcends everyday creative pursuits. Yet, the underlying ethos is remarkably similar: the relentless pursuit of an idea, regardless of the perceived impossibility, and the understanding that such feats, whether walking a wire or creating a groundbreaking piece of art, require an unwavering belief in oneself and the validity of one's vision. "Steal Like an Artist" provides the conceptual framework for understanding how artists build upon the past, and "Man on Wire" offers a visceral, real-world example of this principle taken to its most extreme, exhilarating conclusion – a true testament to how influence, combined with courage and relentless dedication, can lead to something truly extraordinary and unforgettable. The connection allows readers to see how the principles espoused by Kleon, of learning from and adapting the work of others, can be applied not just to traditional art forms but to the grandest, most daring human endeavors.